Ah Here! Ireland’s Liveability Index – Offaly is the most ideally suited county to access all parts of Ireland. By Imelda Higgins with Pics by Paul Moore.

 Now that we are all locked down in our various counties I miss my occasional trips to Offaly to visit old friends. I keep an eye on local news on line and love the Tullamore Tribune and the Offaly Express. I was dismayed the other day to see a report on the Express that Offaly ranked lowest in Ireland on a Liveability Index! What in the name of Heaven is a Liveability Index!! I decided to look into it all a little further. Seemingly a father and son (with obviously too much time on their hands!) decided to rate every county in Ireland on four (4!!) parameters. One criterion was natural amenity which they assessed by developing ‘a unique method of ranking the natural amenity of a particular area using the percentage of each area covered by water and mountains and attributed as urban’ (Leinster Express 16 Jan 2021 Lynda Kiernan). Having spent so many happy years in Offaly I would certainly disagree with the findings and would challenge that duo to explain them fully! The very fact that Offaly is not covered with water and mountain makes it one of the most attractive counties in Ireland. Offaly’s unique landscape is one of peace and tranquility. The wide open stretches of bog covered with the most wonderful heathers and gorse throughout the year make it a joy to behold in any season. A mid 19^th century saying that when gorse is out of bloom, kissing is out of season is certainly true of midland scenery!

Dancing in Ireland since the 1920s: Your recollections needed. Maria Luddy

Many readers and their parents will have great recollections of the dancing scene in Ireland. You can help write the history. Share your thoughts and send on the stories needed to build a picture of the dancing scene in Ireland. Many will recall Je t’aime played in the 1960s in St Mary’s Hall, or the Harriers, Tullamore. But what about the County Ballroom and the parish halls in Clara, Birr, Rahan, Killeigh and so many more. Did dancing bring about the ‘ruin of virtue’?

Dancing has always been a source of expression, fun and entertainment in Ireland.  People danced at the crossroads, in each other’s houses, at social events, festivals, and in licensed dancehalls all around the country.  From the early twentieth century the Catholic hierarchy became particularly concerned with the opportunities that might arise for sexual immorality in dancehalls.  In October 1925 the bishops and archbishops of Ireland issued a statement which was to be read at ‘the principal masses, in all churches on the first Sunday of each quarter of the ecclesiastical year.’ The statement referred to the ‘evils of dancing’ and it was ‘a grave and solemn warning to the people with regard to the spiritual dangers associated with dancing’.  The statement noted: ‘We know too well the fruit of these [dance] halls all over the country. It is nothing new, alas, to find Irish girls now and then brought to shame, and retiring to the refuge of institutions or the dens of great cities. But dancing halls, more especially, in the general uncontrol of recent years, have deplorably aggravated the ruin of virtue due to ordinary human weakness. They have brought many a good innocent girl into sin, shame and scandal, and set her unwary feet on the road that leads to perdition’.  The behaviour of the men did not elicit much comment. From the mid-1920s and throughout the early 1930s there were constant references in the newspapers to the problems of dancehalls and motor cars.  In 1931 Cardinal McRory combined the two and saw a growing evil in ‘the parking of cars close to dancehalls in badly lighted village streets or on dark country roads.  Cars so placed are used … by young people for sitting out in the intervals between dances’.  ‘Joy-riding’ had a very different connotation in the period than it does now.  Reporting on a sermon by the bishop of Galway, the Irish Independent noted that ‘joy-riding’ was conducted by ‘Evil men – demons in human form come from outside the parish and outside the city – to indulge in this practice.  They lure girls from the town to go for motor drives into the country, and you know what happens… it is not for the benefit of the motor drive.  It is for something infinitely worse’.

The Maynooth Local Studies Series, recent issues, the Offaly volumes and the entire series listed here. Sources for Offaly History and Society, number 10.

The current issue of Irish Historical Studies (no. 165, May 2020) has a featured review of five issues from the Maynooth Local Studies series published in 2019. That brought the number issued to 144. We attach the list to 144 for your convenience and we bring to your attention the latest batch of four. Raymond Gillespie is the quiet man behind the series and who has acted as general editor since its inception in 1995. The reviewer in IHS, Maura Cronin, reminds of his characterising local history as being ‘primarily about people in places over time’. Place is described as the bedrock of local history, but it must be seen in the context of the actions of people and the pivotal role of historical research  is looking for the forces of disruption and of cohesion. What brought people together and what drove them apart.

The four new issues of 2020

Four new volumes have been published in the Maynooth Studies in Local History series (general editor Professor Raymond Gillespie). The volumes by Denis Casey, Emma Lyons, Brendan Scott and Jonathan Wright and can be ordered via Offaly History Centre.

FAITHFUL IMAGES: Offaly through the eyes of artists. Fergal MacCabe

Clonmacnoise from the Harris’s edition of Ware’s Antiquities (Dublin 1739) showing the work of Blaymires and Dempsy his companion. 

It must be conceded that the unassertive landscapes of County Offaly have never been a great source of inspiration to painters, most of whom just made a quick stop at historic Clonmacnoise before dashing on to record the West of Ireland.
Yet, others took the trouble to look more closely (or were paid to do so) and found inspiration in its lush farmland, bogs and woods, slow rivers, rolling hills and ancient ruins. Happily, their numbers have grown in the recent past.

The Cotton Map
The first, and in my opinion the finest, artistic image of Offaly is the Cotton Map of 1565. Prepared to assist the Elizabethan Plantation, this is an imaginative creation more akin to Harry Potter’s ‘Marauder Map’ or Robert Louis Stevenson’s chart of Treasure Island than a realistic cartographic exercise. One wonders if its unknown compilers ever visited Offaly or were relying on travellers’ tales.

Heritage Events from Offaly History 18-31 August 2019

Yes we are extending our events to conclude on 31 August with the Mary Ward book launch about which more in our blogs of 24 and 31 August. In the meantime you
can download a PDF from Offaly County Council Heritage Officer Amanda Pedlow of all the county events. Lots of things including book launches in Geashill and Banagher. Read below about the very special Mary Ward book launch and commemoration in Birr on 31 August. It will be available at the launch and from 1 September at our bookshop. Order now so as not to be disappointed. Here we look at events being organised by Offaly History and with a note from Amanda Pedlow, county heritage officer.

Jane Molony, the hot lover from Clonony Castle near Ferbane by Cosney Molloy

 

Spring is in the air and I decided to tip down to Offaly during the week of St Valentine’s and see my old friends in Killoughy and Banagher. There are a still a fair number of Molloys in that part of the world. Everywhere I go now I hear about Tullamore because of the new distillery and I think back to the time when some of my ancestors had distilleries in Tullamore, Kilcormac and Banagher. As to Molonys I was told once by a Tipperary man that there are at least 22 variants of the name so good luck with the searching for this family.

Clonony Castle August 2018 with Barrister Molony and Sir Matthew de Renzi

Clonony Castle
I was down before Christmas and got to visit Clonony Castle where the charming woman Rebecca Armstrong resides and is the hostess for seasonal and summer events there and has the old castle open to the public. I believe she restored it herself and is there about sixteen or seventeen years. She has done a great public service and I suppose got no grants of any kind. Had the OPW done the job you can be sure it would have cost millions and be closed half of the year.
De Renzi and Clonony
Anyway enough grousing. We Molloys are nothing if not resilient. I asked some of the big wigs in the Offaly Historical Society to find out more about a barrister by the name of Edmund Molony because I came across an inscription that he put up for his wife in a London church which seems to have been as ample as was her love for the same Edmund. It struck a chord because of my pre-Christmas visit to that lovely old castle which is near the Grand Canal and the town of Ferbane.

One hundred blogs is a reason to celebrate this September day in 2018

One hundred blogs is a reason to celebrate this September day in 2018. Yes 100 articles, 150,000 words, at least 400 pics – and the 100 stories have received 64,000 views and climbing every week. In 2018 alone we have received over 32,000 views. The list of all that has been published can be viewed on Offalyhistoryblog. We have lots more lined up. We welcome contributors, so if you have a history story you want to share contact us. The other big story is happening on Monday night with the launch of Offaly History 10.

MacCoghlans, De Renzy and West Offaly Castles.

So it’s Heritage Week and Saturday 25 August 2018 was given over to a tour of the West Offaly castles in the company of Kieran Keenaghan and James Scully. It was a full day starting at the lovely Crank House, Banagher at 10. a.m. This house is a tourist facility and a community endeavour from a community co-operative society. Banagher needs all the support it can get in the form of incentives and tax relief schemes to bring the older houses, including the Shannon Hotel, back into use.