Tullamore – Places to visit to mark Tullamore’s 400th anniversary. Contributed by Offaly History with water colours courtesy of Fergal MacCabe

Township could be said to have begun in Tullamore in 1622. On 30 September the anniversary will be marked with an outdoor exhibition of drawings by Fergal MacCabe and a Timeline of Events showing the story of the town since the earliest times. We have covered many stories of Tullamore in over 420 blogs published in this series. All can be accessed on www.offalyhistory.com. For a quick link to all these resources see @offalyhistory

[Offaly Heritage Office writes on 24 9 2022]

Offaly Heritage identifies the wonderful engaging blogs by Offaly History outlining how the town of #Tullamore has developed.

Join us on Friday 30th in Millennium Square, Main Street, to see #OffalyHistory blogs presented in a picturesque timeline to celebrate #Tullamore400. We have entertainment from 2pm to 6pm in association with Up Close & Personal Promotions with thanks to the Department of Tourism, Culture, Arts, Gaeltacht, Sport and Media for their #LocalLivePerformance support.

Visit Offaly Tullamore Chamber

#Offaly #SpaceToExplore #SpaceToGrow ]

A presentation on Offaly Historical and Archaeological Society, 1969 – 2022 for Heritage Week.

This is a new 20-minute video recording on the history of the Society, now better known as Offaly History with lots of interesting photos especially recorded for Heritage Week. We want to thank all who have contributed to making it so successful so far with activities across the county, and continuing until Sunday. The lecture on Larkin’s maps and their predecessors we shall post next week, also a video on the Durrow Pattern. Our next lecture is on 5 September on Michael Collins and is important. More information next week.

O’Connor Square, Tullamore, 1700s to 2020: a story in pictures of an evolving streetscape over 300 years.

A PowerPoint presentation narrated by Michael Byrne explores the identities of O’Connor Square, Tullamore as part of a project to know and appreciate our distinctive town centres. This Streetscape project is in partnership with Offaly County Council and part funded by the Heritage Council.

The Making of O’Connor Square, Tullamore since the 1700s: the buildings, business and people

O’Connor Square is Tullamore’s most impressive open space and the gradual development of this area into its principal square is reflected in its fine houses, market house and the variety of names it has had.  Despite the course of building for over some fifty years, from 1740 to 1790, it has a uniformity of scale even with the much later vocational school of 1936–37, now the Tullamore Library. In 1713 this area was simply known as the Market Place and, with the opening of one-third of the square in 2019 to pedestrian access only, is now enjoying a comeback to its original function as a meeting place, albeit now to barter ideas and stories and not agricultural produce. Our thanks to the Heritage Council and Offaly County Council for supporting this project and rejuvenation of the square. A special thanks to Fergal MacCabe for his watercolours that bring out so much of what is wonderful about townlife.

Take a look at the video below for more about Tullamore’s meeting place and prime residential location for so long.

Tomorrow, we look at Castle Street, Birr over 400 years of history in that one street.

The Discovery of the Bronte Family Portrait in Hill House in Banagher, Ireland in 1914

The Offaly Heritage Office and Amanda Pedlow have been working with Dr Maebh O’ Regan of National College of Art and Design supporting a project with the Banagher Crafting Group exploring the Banagher and Bronte connections.  Some of you may have attended events at the recent That Beats Banagher Festival.

One of the outputs is a short fifteen-minute film about the discovery of the Bronte Family Portrait in Hill House in Banagher in 1914 and an interview with Dr Sarah Mouldon of the National Portrait Gallery London who care for it now.  Please see the video link for you tube of a very fine presentation adding greatly to our knowledge of how the portrait was received when first presented to the public in 1914. We attach some background material on the discovery of the painting at Hill House, Banagher and how it came to be there from an earlier Offaly History blog. Our thanks to Amanda Pedlow and all concerned with this fine and informative production.

This is one of the projects supported by Offaly County Council through the Creative Ireland programme.

That beats Banagher festival, 22-24 July 2022. From our correspondent James Scully

This year’s That Beats Banagher Festival will take place over next weekend Friday to Sunday, 22 to 24 July with a multiplicity of literary, heritage,  cultural and sporting events including a food and craft fair in the Bridge Barracks Yard at the West End on Saturday, 12 noon to 4.30 p.m. craft workshops, children’s events, water events, children’s outdoor cinema and other surprise events. We are a day early with the blog to help promote this interesting festival.

Book Launches 

The programme is particularly strong on literary events with the launch of two books on Charlotte Brontë’s honeymoon in Ireland, the first called Arthur & Charlotte, by Pauline Clooney (published by Merdog) and the second, Charlotte Brontë: An Irish Odyssey by Michael O’ Dowd (published by Pardus Media). Pauline & Michael recently spoke with much acclaim at the prestigious Bradford Literary Festival under the title No Net Ensnares Me: Charlotte Brontë Abroad. The event will be held at 6.30 p.m. on Friday 22^nd July in the Long Room in The Crank House.

The limestone quarries of Ballyduff, Tullamore. Part 3: From Tullamore to Tasmania. By John Wrafter

In the second article on the quarries and stonecutters of Tullamore, I wrote about members of the Bracken family that left Ireland with their stonecutting skills and brought them to Australia. That was around 1910. However, stonecutters from the Ballyduff quarries had been emigrating and practicing their trade abroad for many years before that. Australia, in particular, was the destination for many. In this article, I will focus on two families, the Molloys and the Cronlys, and their involvement in stonecutting both at home and abroad.

Anniversary of Birr poet John de Jean Frazer (1804-1852). By Padráig Turley

Today, 23 March 2022 we mark the 170^th anniversary of the death of John de Jean Frazer (1804–1852). A poet and a cabinet-maker, a native of Birr county Offaly he was born into a Presbyterian family. While `J. De Jean` was his preferred nom-de-plume, he also used pseudonyms `Z`, `Y`, `F` and `Maria`.

His first major poem was Eva O`Connor published in 1826, by Richard Milliken, Grafton Street, Dublin. During the 1840s individual poems, increasingly expressing radicalised politics, appeared in newspapers and periodicals of the day including The Nation, The Dublin University Magazine, The United Irishman, The Felon and The Freeman`s Journal.

 In 1845 a substantial number of his poems were gathered together and published as Poems for the People by J. Browne, Nassau Street, Dublin. This collection contained eighty-two poems, a mixture of lyrical and polemical pieces.

[An article on de Jean Frazer appeared in the 1903 issue of Tullamore’s Ard na hEireann magazine by Sean MacCaoilte (Forrestal, d. October 1922) and as such was part of the cultural context for the Gaelic League and the Irish Cultural Revival in the Tullamore locality. Thanks to Offaly Archives which holds a copy. Ed.]

The limestone quarries of Ballyduff, Tullamore. By John Wrafter

Introduction

On the 1809 map of King’s County by William Larkin, one can easily fail to spot the tiny T-shaped symbol about 1 mile northwest of the town of Tullamore. There is no description to inform the reader what the object represents. Its shape and its location, however, leave no doubt as to what it symbolizes. It is the first post-Reformation Catholic church in the parish of Tullamore. Erected in 1775 in the townland of Ballyduff, the chapel’s out of the way location some distance from the town of Tullamore seems peculiar today. Another look at the 1809 map provides at least a partial clue to its location. Not more than about a hundred metres from the chapel is a quarry, probably one of the earliest limestone quarries to be opened in the area and almost certainly the source of the stone of which the chapel was built. The chapel was presumably built by the workers and tradesmen of the local quarries. Today the ruins of the Ballyduff chapel are located in the middle of the Axis Business Park accessed from the Clara Rd.

Recently nominated by the Irish Times as amongst the twenty best places to live in Ireland: A Tullamore Capriccio. By Fergal MacCabe

Recently nominated by the Irish Times as amongst the twenty best places to live in Ireland, Tullamore earned the accolade because of its central location and its excellent recreational amenities and services. However, neither its built or natural environment figured as deciding factors in the survey.

Regrettably, my home town lacks the physical drama of Kilkenny and Lismore dominated by fortresses standing on cliffs, the waterside charms of Kinsale and Carrick on Shannon, the mystery of the mediaeval alleyways of Galway and Carlingford or the suave urban quality of Westport, Clonakilty and Birr.  Nevertheless, it’s qualities, modest as they are, have always inspired me and I have often tried to capture them in drawings. Tullamore’s few architectural setpieces were my first introduction to the notion that a town or a village could be a beautiful artefact as much as a painting or a piece of sculpture.

A novel approach to Charlotte Brontë’s honeymoon. By James Scully

Pauline Clooney’ Charlotte & Arthur, an imaginative recreation of the Charlotte Brontë’s honeymoon in Wales and Ireland, is an exciting combination of fact and fiction. The extensive historical research which preceded the writing of the book is evident throughout and this coupled with the creation of less historic characters and the weaving in of more fictional nuances ensures a work that is at once refreshing and convincing. While the sources of history are comparatively plentiful for this episode due to Charlotte’s prolific letter writing and an abundance of biographies of the two main characters, it is the richness of Pauline Clooney’s writing that makes the work engrossing and appealing.