‘Six’ fine works of public sculpture in Birr. By Fergal MacCabe and Paul Moore.

Would you like to know more about public sculptures in Birr and Offaly? Who commissioned them and what do they tell us?  Author, Architect and Town Planner Fergal McCabe will focus on the sculptures in and around Birr town, The Maid of Erin, The Column in Emmet Square, the Hurler, the third Earl and the Tullamore Road entrance piece ‘Looking to the Future’ with some other examples from the county.  He will be joined by photographer Paul Moore who documented the sculptures in 2023 and he will talk about his experience of how the images were photographed and the story behind each sculpture.  This illustrated talk will be on Monday 15 January 2024 at 8 p.m. in County Arms Hotel, Birr.  Signed copies of the new book Faithful Images will be available on the night for €20.00.  All are welcome.

For those who believe that the setting of public art is the key to its artistic success or failure, Birr offers five of the very best examples.

Faithful Images: public art in County Offaly : a new book from Fergal MacCabe and Paul Moore

Faithful Images: public art in County Offaly, will be launched on Monday 11 December at 8 p.m. at Offaly History Centre, Tullamore by Eddie Fitzpatrick, cathaoirleach of Offaly County Council. Faithful Images is a welcome addition to the growing library on the cultural patrimony of County Offaly. Thanks to Creative Ireland and Offaly County Council for their support. The new book is in full colour and is €20. It can be purchased at Offaly History Centre, Bury Quay (beside the Grand Canal and the Old Warehouse) and at Midland Books, and online at http://www.offalyhistory.com. You will be welcome to attend the launch and to purchase a signed copy.

The Turf Man – capturing working on the bog for over a century

The combination of Fergal MacCabe as architect/town planner/water colourist with that of Paul Moore as photographer makes for an excellent outcome. Fergal MacCabe has an eye to the broad sweep of architectural history from his having studied and practised the subject over sixty years. He has been looking at buildings with an admirable curiosity since his teenage years. By the 1970s this had blossomed into his being a superb watercolourist especially when it came to places associated with his childhood years in the midlands. Living in Dublin now he can return to his native place bringing with him a fresh perspective. We had the pleasure of working with him on Tullamore: a portrait in 2010, attending several of his exhibitions, and several of his lectures including those on the rediscovered Frank Gibney.

Aisling – the spirit of the trees, Geashill

1 The making of O’Connor Square, Tullamore, Ireland, 1713–2023: the first market place or Market Square. By Michael Byrne. A contribution to the Living in Towns series promoted by the Heritage Council.

Over a series of articles, it is intended to examine the evolution of the ‘market place’, Tullamore to the fine square it is today. It is intended to look first at the evolution of the square over the period from 1713 to 1820 with additional comments on the building history in the last 300 years in the second article. This will be followed with analysis of the return for the 1901 and 1911 censuses and thereafter case studies of two of the houses in the square. Both are public houses, the Brewery Tap and The Phoenix, and business is conducted in the original houses albeit that both have been extended. Both are well known with the Brewery Tap one of the oldest pubs in Tullamore and The Phoenix the newest. The Brewery Tap house can be dated to 1713 and The Phoenix as a house to 1752.

Visualizing Tullamore and its unique architectural character – A new Capriccio. By Fergal MacCabe

An Image in my head

As the town changes and my own perceptions and values alter, the visual image of Tullamore that I hold in my head is continually refined.

Little by little I have begun to realise that buildings which I dismissed as mundane are more important than I had first considered, while others which I once revered are now probably not all that good after all. There is also the fear that several much-loved landmarks I believed timeless may soon disappear.

My visits to the town have become more infrequent and I find that when I try to summon up its civic character in my mind in order to make a drawing, it tends to coalesce into an amalgam in which some buildings and landscapes take centre stage while others recede. In this capriccio I have tried to corral my memories into an ensemble which has some underlying unity, but inevitably selection distorts scale and some of the juxtapositions may seem overly bizarre.

Of late, three particular parts of the town have begun to take a hold of my imagination – two real and one imaginary. The stretch of Cormac Street from the railway station to O’Moore Street gets better on each revisit while O’Connor Square is at last beginning to reveal its potential to be one of the finest urban spaces in the country. On the other hand, the Harbour is as inaccessible and decaying as it ever was. Its unknowable future has always fascinated me –  as I’m sure it does many.

After the Break. By Terry Adams

It was cold, dark and rainy that November 2017 night as we left the Embassy. My mood did not fit the weather. The warm glow of a job well done wrapped itself around my stomach and spread out to envelop my whole being. It was all hard to believe that my scribbling had brought me here.

I had started to write to commemorate my father way back in 1976, a few poems to inscribe his memory onto paper. The first one was printed in the Midland Tribune on the anniversary of his death in 1977. I was delighted to see my words in print, a feeling that persists to this day! I returned to my university and thought no more about it until I fell in love. That led to more poems, some I laugh at now but some I’m glad I wrote and, who knows, some may even have had an impact on my future wife.

So forty years later there I was sitting in a restaurant with two of my sisters and one of my daughters, all of whom had flown over for the big event. My wife and other two daughters were abroad, unavailable. The conversation floated by me a little as my mind was back in the embassy room with the Irish Tricolour and the European blue flag forming a backdrop to my poems. The whole situation was a little surreal.

The words from that beautiful, sad, song by Tommy Sands, ‘There were Roses’, floated unbidden into my mind. ‘It’s little then we realized the tragedy in store’. Now, I admit, ‘tragedy’ may be a little strong, thankfully, to describe the events that were shortly to unfold.

Five months after my uplifting evening in the Irish Embassy I found myself in the less salubrious surroundings of a psychiatric ward here in Luxembourg city. A crash due to depression had stolen up on me and twisted my mind into such a state that I needed hospitalization. For two weeks I wondered what had happened, how could I exchange the Irish Embassy for a psychiatric bed in a matter of months? How had this happened? What exactly had happened?

The Tullamore and County Offaly Agricultural Show: part of the heritage of the county and now a national event. Contributed by Offaly History to the Decade of Centenaries

The Tullamore and County Offaly Agricultural Show may be described as a unique cross urban/rural community undertaking and a traditional family day out attracting up to 60,000 people to the show. The Tullamore show was rekindled in 1991 by a small group of local people representing urban and rural communities. The Tullamore and Co. Offaly Agricultural Show Society Ltd was founded in 1990 and since its inception the Tullamore Show has grown to become one of Ireland’s largest and finest one day shows with entries from the 32 counties. In the early years of the 1990s the Tullamore Show was held in the grounds of Charleville demesne and castle in the month of August.

A 2018 show launch courtesy of the Show Gallery

Joseph Stirling Coyne of Birr, County Offaly: dramatist and littérateur. By Pádraig Turley

I am always intrigued, and fascinated to learn of a person, who in their time was famous, but somehow or other has faded into the mists of time. Such a person is our subject Joseph Stirling Coyne. He was during his lifetime a very famous dramatist, writing upwards of 100 plays, a theatre reviewer and one of the first editors of Punch magazine. His story is worth telling and hopefully this blog may restore him to public conscientiousness, especially in his native town.

He was born in 1803 in Birr, then known as Parsonstown. The year 1803 was a pretty good year to be born, for he shares it with Gerald Griffin, John Henry Newman and James Clarence Mangan no less, and of course with his fellow Birr man the poet John De Jean Frazer.

The new Esker Arts Centre at no. 13 High Street, Tullamore. A contribution to the Living in Towns series by Offaly History.

So we are soon reaching the day when the new Esker Arts Centre building will open in Tullamore. Is it the first public building since 2013 and the new bridges on the canal. Before that we had the town library (2011), the regional hospital, the town park, bypass, courthouse and the swimming pool. When Revd Dean Craig performed the opening ceremony for the newly built courthouse in June 1927 (after its burning in 1922) he could not remember when such an opening had taken place of a public building and that stretched back to his father’s coming to Tullamore in 1869. So these openings are important and give rise to a good deal of pleasure, pride in our place and hope for the future.

The arts in Tullamore was never a strong point when compared with towns like Birr and Athlone. That is in the past and we now look forward to a programme of events for 2023 and beyond. The arts centre project in Tullamore has gone through vicissitudes since it was first planned in the 2000s and dropped as late as 2014 when the budget was too high but less than it is today. . Now the new building is in the former Kilroy’s store in High Street and not in Kilbride Park as was once intended. Before that the library district was considered in a €20 million plan that was dropped after 2007. In its style, as to the exterior, the new arts center bears more resemblance to the Wexford opera house (2010). Unlike the great local public buildings, such as the courthouse (1835-1922-1927-2007) or the jail of 1830 (destroyed in 1922 by the retreating Republicans during a disastrous civil war) the new arts centre is built on the site of a shopping precinct since the 1880s and earlier.

The pavements were not great but the buildings were so fine. Bank of Ireland front of 1870 (now Hoey & Denning) and Ulster Bank (1890s). The Kilroy front was c. 1880.

The now arts building occupied three generations of the Kilroy family in the years 1908-2007. It was a great hardware store and early made a reputation that was consolidated under the young Dermot Kilroy whose coming into full management of the business coincided with the start-up of RTE Television. He and his father, James A. and son Derry Kilroy were all master marketeers – something that will not be lost on the news arts administration whose job it will be to make the new Esker Arts Centre a viable and attractive proposition. And no doubt it can be.

The new arts centre is in Tullamore central with a strong location in the High Street where so much business was done in the past and good parking in public and private carparks nearby. No doubt it will have coffee and liquor facilities. It would make sense to secure the adjoining Ulster Bank building if the bank would be disposed to sell at a reasonable price in recognition of its contribution to Tullamore since 1893. We say this because the bank and Kilroy’s (now the arts centre) were part of one property from the 1800s and had a common landlord in the Crofton family, long associated with Tullamore. Their main home was at Merryfield – a lost demesne on the site of what is now Charleville Lake (1809-12), but they also had 29 High Street (from the 1930s the Roberts garage).

The old shop front was considered the finest in Tullamore in the 1880s. This picture possibly about 1957 with J.A. Kilroy at the shop entrance. The Carragher pharmacy appears to be under renovation.

Impressions of an Ireland Dream. De Jean Frazer, T.C. Luby and a Birr book launch. By Laurel Jean Grube

I dreamed of someday going to Ireland and exploring my ancestry. But I am afraid to fly; not only because of feeling trapped in a plane high in the sky over the ocean but because of the pain I have experienced in my ears on domestic flights.

Can you believe it, this past November my husband got me on an airplane? And it did not require knocking me out. Just painkillers, nasal spray, decongestant, chewing gum, hard candies, a small teddy bear to clutch, and a prescription for an anxiety pill, nothing drastic. The ear pain was still present, and the nervous shaking was only subdued by continuous prayer.

This was my first trip outside the United States, and I was pleasantly surprised by the warmth of the people of Ireland.

We took this journey to launch a book I co-edited with two gentlemen from Dublin, Terry Moylan, and Padraig Turley. I met them through the internet when double-checking a fact about my ancestor, John De Jean Frazer, for the novel I am writing about him and his son-in-law, Thomas Clarke Luby.

Terry and Padraig were starting a book to republish the poems of Frazer, my third great-grandfather. My novel includes some of those poems and I had wanted to honor him myself and bring him out of the cobwebs and into the light. I was happy to accept the invitation to join these gentlemen on an eye-opening adventure.

2023 will be remembered as the year in which Tullamore tried to reinvent itself: the Dream Team. By Fergal MacCabe

Last year Offaly County Council and Waterways Ireland appointed advisors to prepare regeneration plans for the town centre and for the Grand Canal Harbour at the heart of it. The consultants brief required ideas for the redevelopment of the key underused sites, proposals for linking them all within a coherent, livable, safe and attractive town centre whose crowning glory would be an accessible Harbour containing dramatic new buildings full of vibrant day and night-time attractions. A date in mid to late 2023 was set for the delivery of their proposals.