The whole of Ireland will be watching Mountbolus today for perhaps the first time in its history. None would want the attention it will receive as the family of Ashling Murphy, her friends and representatives of state, gather for her final mass in the lovely church dominating the village of Mountbolus. The family who have given and suffered so much may now need privacy in their great sorrow.Continue reading
Early 1922 saw just two local organs of public opinion in Offaly – the Midland Tribune and the King’s County Chronicle. The Tribune was owned by the long-term nationalist Mrs Fanning, widow of the late Dr Fanning and herself active in regard to Sinn Féin policy on amalgamation of the workhouses. Her editor was James Pike from Roscore, long-term supporter of Sinn Féin who was now ready to recommend acceptance of the Treaty. So also was Archie Wright, owner of the Protestant and unionist Birr-based Chronicle. The Offaly Independent was more representative of North Offaly, but its printing works had been destroyed by crown forces in November 1920 and did not re-emerge until late spring 1922. During the course of 2022 we plan to bring you articles on the evolving situation in Ireland and Offaly in 1922 and we will be looking into the Offaly Archives, Offaly History Centre and Offaly Libraries to dig deeper for the nuggets.Continue reading
The scene at the railway station [Tullamore] will long be remembered. Long before the hour for arrival of the train, the stream of people to the station premises and surroundings was continuous. There was joy everywhere and the light and hope that the glad tidings brought were seen in the faces of the huge gathering. The railway station premises were thronged while from every point of vantage round about it people awaited the home-coming of the boys whose familiar faces they yearned to see once more.
Late 1921 was a time of ferment in Offaly. Once the Truce was announced in July 1921 attention turned to matters such as reforms in public health that would see the county infirmary along with the workhouses at Edenderry and Birr closed. The former workhouse at Tullamore was now to serve as county hospital and ‘county home’. It was a major reform pushed through by Sinn Féin who dominated much of local government, save in the urban councils of Birr and Tullamore. As more people were pushed out of the institutions and the economic situation deteriorated the demand for home help grew. Some of the ratepayers were concerned but not the Midland Tribune which was then owned by Mrs Margaret Powell who was one of the few women involved in the Birr local health committees. Her editor from 1912 to late 1940s was James Pike from Roscore, Screggan. Four women sat on the Tullamore Hospitals and Homes Committee chaired by Mrs Wyer. Pike in an editorial on 17 December 1921 was to describe it as a momentous week with the secret debates in the Dáil. Offaly Technical Committee did not wait for the outcome of the Dáil debate and supported the Treaty almost immediately. Supporters included the chairman Fr O’Reilly, Kilcormac, Revd John Humphreys and James Rogers as did Revd R.S. Craig.Continue reading
All the books here can be purchased from Offaly History (Bury Quay, Tullamore and online) and at Midland Books, Tullamore. You can also view/ borrow at Offaly Libraries and consult at Offaly History Centre.
Rathrobin and the two Irelands: the photographs of Middleton Biddulph, 1900-1920. Michael Byrne (Offaly History, Tullamore, 2021), 330 pages, 280×240, hardcover, €24.99.
Rathrobin is a book that keeps on giving. Its 250 Biddulph photographs from the 1870s to 1920s, all carefully captioned, depict the two Irelands – unionist and nationalist, Catholic and Protestant, landed and cabbage garden. What is interesting about the pictures of Colonel Biddulph (1849-1926) of Rathrobin near Mountbolus are the nuances. He was of the lesser gentry, was a tenant of the Petty Lansdownes, and was well aware of the Plantations of the 16th and 17th centuries. He appreciated the needs of the farm labourers and was decent to his own tenants, staff and farm workers. His entire estate was not much more than a 1,000 acres. Biddulph’s circle was also the lesser gentry and those who served it such as land agents, bankers and clergy. The Catholic Protestant divide was strong but landed Catholic families did mix in Bidduph’s set, but not merchants or traders (even if very rich). Biddulph had an empathy with his farm workers and their families and sought their advancement. Many local families were photographed, together with the farming activities of his own employees.
Biddulph’s story, and that of his associates and friends, is illustrated by a selection of over 300 pictures in all, of which 250 are from the Biddulph Collection in Offaly Archives, and fifty more to illustrate the introductory essay and provide the all-important context. The essay and the photographs provide a more nuanced understanding of Ireland in the revolutionary period of 1900–23. Biddulph’s wonderful house at Rathrobin that he had so carefully ‘restored’, and all his farm improvements, were lost in the Civil War in 1923. Many other big houses from Ashford, to Ballyfin, Durrow, Brookfield, Screggan Manor and Charleville are also recorded in this volume. Some such as Brockley Park in Laois are now gone thereby making this an important work of record. The photographs by Middleton Biddulph were taken at a crucial moment in Ireland’s history. Their publication now could not come at a better time. Rathrobin is the portrait of one small estate and Killoughy parish in Offaly from the 1650s to the 1920s, but the story is of national interest. T.E. Lawrence spoke of the Arab Revolt, perhaps in Ireland we can talk of the Irish Revolt and not the full circle Revolution. You decide.
Rathrobin was supported by the Decade of Commemorations Unit in the Department of Tourism, Culture, Arts, Gaeltacht, Sport and MediaContinue reading
We are pleased to welcome a new contributor and old friend Dr Mary Jane Fox. She has contributed to Offaly Heritage journal.
Saint Colmcille is very much a part of Offaly’s history, almost exclusively due to the early monastic site of Durrow. It is not certain exactly when he founded Durrow, but the land for it was possibly gifted to him either by Aedh, a son of Bréanainn, king of southern Uí Néill kingdom of south Tethbae, or Ainmuire mac Sétnai, a prince from the Cenél Conaill branch of the northern Uí Néill. In both cases it was likely to have taken place around 553.[3
There has been significant controversy over the years regarding St. Colmcille’s copying a psalter belonging to his teacher, St. Finnian of Moville. Doubt about the event itself and events subsequent to it still persist, and the mystery has never truly been solved. For something that occurred almost 1500 years ago, how would that be possible anyway? Granted, it might never be solved, but we might find ourselves a few steps closer to what happened if we reconsider what sort of evidence we are seeking and what we consider acceptable.Continue reading
The now permanent release online with free access of some 11,000 lives in the Dictionary of Irish Biography (DIB) will be a huge bonus to historical research. And yet there will be many people at county level who will not feature but deserve to have their work recorded in dictionaries of county biography. Offaly History began this process in its publication Offaly Heritage 9 (2016) but more so in the recent issue of Offaly Heritage 11 (2020) where the following ‘Brief Lives’ were recorded by way of:
Short biographies of revolutionary figures in Offaly, 1912–23
P.J. Bermingham (1872–1975), 2–3.
Eamonn Bulfin of Derrinlough, 26–7
Father Thomas Burbage (1879–1966), 42–5
Revd Philip Callary (1849–1925), 73–4
Cumann na mBan in Offaly, 80–81
Thomas Dunne (1884–1968), 90–91
James Perry Goodbody (1853–1923), 134–5
Catherine Mahon (1869–1948), 157–8
Patrick McCartan (1878–1963), 179–80
Seán McGuinness (1899–1978), 189–90
T. M. Russell (1868–1932), 205–6
These short essays of less than 1,000 words each were contributed by independent scholars – Brian Pey, Michael Byrne, Margaret White, Ciara Molloy and Lisa Shortall.
It is to the final life in that recent collection we focus on here. It was that of T.M. Russell, a man with huge potential, which remained unrealised when the opportunity came for a revolutionary change in local government in June 1920. This was following on from the election of the first Sinn Féin controlled county council and the implementation of self-reliance and breaking with the Dublin Castle based Local Government Board.Continue reading
Many readers and their parents will have great recollections of the dancing scene in Ireland. You can help write the history. Share your thoughts and send on the stories needed to build a picture of the dancing scene in Ireland. Many will recall Je t’aime played in the 1960s in St Mary’s Hall, or the Harriers, Tullamore. But what about the County Ballroom and the parish halls in Clara, Birr, Rahan, Killeigh and so many more. Did dancing bring about the ‘ruin of virtue’?
Dancing has always been a source of expression, fun and entertainment in Ireland. People danced at the crossroads, in each other’s houses, at social events, festivals, and in licensed dancehalls all around the country. From the early twentieth century the Catholic hierarchy became particularly concerned with the opportunities that might arise for sexual immorality in dancehalls. In October 1925 the bishops and archbishops of Ireland issued a statement which was to be read at ‘the principal masses, in all churches on the first Sunday of each quarter of the ecclesiastical year.’ The statement referred to the ‘evils of dancing’ and it was ‘a grave and solemn warning to the people with regard to the spiritual dangers associated with dancing’. The statement noted: ‘We know too well the fruit of these [dance] halls all over the country. It is nothing new, alas, to find Irish girls now and then brought to shame, and retiring to the refuge of institutions or the dens of great cities. But dancing halls, more especially, in the general uncontrol of recent years, have deplorably aggravated the ruin of virtue due to ordinary human weakness. They have brought many a good innocent girl into sin, shame and scandal, and set her unwary feet on the road that leads to perdition’. The behaviour of the men did not elicit much comment. From the mid-1920s and throughout the early 1930s there were constant references in the newspapers to the problems of dancehalls and motor cars. In 1931 Cardinal McRory combined the two and saw a growing evil in ‘the parking of cars close to dancehalls in badly lighted village streets or on dark country roads. Cars so placed are used … by young people for sitting out in the intervals between dances’. ‘Joy-riding’ had a very different connotation in the period than it does now. Reporting on a sermon by the bishop of Galway, the Irish Independent noted that ‘joy-riding’ was conducted by ‘Evil men – demons in human form come from outside the parish and outside the city – to indulge in this practice. They lure girls from the town to go for motor drives into the country, and you know what happens… it is not for the benefit of the motor drive. It is for something infinitely worse’.Continue reading
Ordnance Survey of Ireland 1824 – 1842
John O’Donovan stayed in Banagher from 10-21 January 1834 where he was accompanied by Thomas O’Connor. As mentioned in a previous blog he used his time there to look at two historic sites in particular, in addition to his normal work. He first concentrated on Clonmacnoise, writing his first substantial and detailed letters on 15 January 1838. This followed on from his request that documents be sent from Dublin ahead of his arrival. He had visited Clonmacnoise and had collected a considerable amount of information about the church site and general area.
He first concentrated on the individual monuments on the site as detailed in earlier manuscripts and associated the monument to the relevant family names. His local contact was a man named Patrick Molloy but O’Donovan was sceptical about the accuracy of the information provided by him. In addition, he dealt with the map produced by Sir James Ware dated 1705; on this map Ware had identified 10 churches at Clonmacnoise, see below. For each monument O’Donovan checked the age of each as indicated in the Annals, checked the background of each one and compared that to a report in Petrie’s possession. Continue reading
Our traditional view of the Vikings in Ireland was established by our early primary and secondary schooling. We were aware that the Vikings commenced raiding in 795 AD by their raid on Rathlin Island. Eventually they settled in a few areas around our coastline. However, most of the country was within reach of Viking raiding parties. One of the primary bases from which Viking raids emerged was from the city of Limerick. Limerick provided a springboard for raids up the Shannon, affecting areas on either side of the river.
These raids were on church monasteries resulted in the slaughter of monks and workers in the monasteries. It also appears that the Vikings knew exactly where these monasteries were located and regularly their arrival coincided when particular religious events were underway. From other evidence they were after people, cattle and very occasionally the gold and silver in the monasteries. People were regularly taken to be sold at slaves. The largest such raid was carried out at Howth in the year 821 AD where over 600 females were taken away by ship for slavery. In later times Dublin became the largest Viking slave centre in Western Europe; Kiev in Ukraine was their largest slave centre in the East.
Les pirates normands au IXe siècle by Évariste-Vital Luminais (1894), Musée Anne de Beaujeu, Moulin
A Golden Age
Consumed by political and economic turmoil, the first half of the 20th century was a fallow period for the visual arts and archaeological scholarship in Ireland and certainly Offaly was no different. The post-war period dominated by scarcity and emigration, was particularly stifling.
The first glimmerings of change came with the national festival of An Tóstal in 1953. Emulating the very successful Festival of Britain two years earlier, its primary intention was to boost tourism in the Easter off peak period – or as the poet Patrick Kavanagh called it ‘The Monsoon Season’.
Whether or not the festival brought any tourists to Ireland or not is debatable but it certainly had a dynamic cultural impact, particularly outside of Dublin. Local societies emerged to organise exhibitions of arts, crafts and heritage. An awareness of the need for civic improvements led to the Tidy Towns movement. Most importantly, a spirit of optimism and openness was created.
This sense of a new beginning was particularly evident in Tullamore where a small local elite led by individuals with connections to the Dublin art and theatrical world were beginning to promote a more open and less traditional approach.