With the recent publication of the Report of the Commission of Investigation into Mother and Baby Homes chaired by Judge Yvonne Murphy, the notion and concept of shame is very much in the news. Shame is a negative influence that is so powerful that it can destroy and ruin lives. It can have appalling consequences. It can be public or private.
Public shame is easier to deal with, for example the Government`s handling of such and such a problem was shameful. This is easy to handle as the Government is a distant entity, and their nonfeasance or apparent nonfeasance can be punished at the next election.
However personal shame is much more traumatic and can have devastating consequences. We have seen over the last forty or so years a series of scandals all of which had catastrophic effects on very innocent victims. When we look at these `scandals` from today`s vantage point it is hard to understand how the particular activity involved could have caused the outrage they did. It is difficult to understand that what is today accepted as quite normal could stigmatize an individual to such an extent that their lives were ruined and indeed that such ignominy could attach itself to an entire family.
However, the story I wish to relate is a simple enough tale, where a totally innocent condition had to be hidden. The person I wish to talk about is my grand uncle Kieran Claffey. He was one of twelve children born to Patrick Claffey and Anne Flannery, who were married in Shannonbridge in 2nd January 1853. They were farming folk who lived in Bloomhill near Ballinahown.
Clara’s engagement with the textile industry may go back 100 years before the Goodbody jute factory. As one of the smaller towns and villages in the county places such as Clara, Ferbane, Kilcormac and Shinrone are less clearly associated with the early plantations by contrast with Daingean, Tullamore and Birr. Clara was prosperous in the 1770s and from the weakening of textiles in the 1820s must have suffered a good deal until the hand loom business progressed after the mid-1850s and the jute factory from the mid-1860s.The Goodbody firm continued as a prosperous concern for another hundred years. Clara was the only town in Offaly to see expansion of its population in the second half of the nineteenth century. And so in the economic cycle it may be that the post 1820s to the 1860s were lean years as has been the period since the 1970s. These are generalisations and will need to be revised in the context of detailed research on Clara businesses, employment, housing and infrastructure.
Many readers and their parents will have great recollections of the dancing scene in Ireland. You can help write the history. Share your thoughts and send on the stories needed to build a picture of the dancing scene in Ireland. Many will recall Je t’aime played in the 1960s in St Mary’s Hall, or the Harriers, Tullamore. But what about the County Ballroom and the parish halls in Clara, Birr, Rahan, Killeigh and so many more. Did dancing bring about the ‘ruin of virtue’?
Dancing has always been a source of expression, fun and entertainment in Ireland. People danced at the crossroads, in each other’s houses, at social events, festivals, and in licensed dancehalls all around the country. From the early twentieth century the Catholic hierarchy became particularly concerned with the opportunities that might arise for sexual immorality in dancehalls. In October 1925 the bishops and archbishops of Ireland issued a statement which was to be read at ‘the principal masses, in all churches on the first Sunday of each quarter of the ecclesiastical year.’ The statement referred to the ‘evils of dancing’ and it was ‘a grave and solemn warning to the people with regard to the spiritual dangers associated with dancing’. The statement noted: ‘We know too well the fruit of these [dance] halls all over the country. It is nothing new, alas, to find Irish girls now and then brought to shame, and retiring to the refuge of institutions or the dens of great cities. But dancing halls, more especially, in the general uncontrol of recent years, have deplorably aggravated the ruin of virtue due to ordinary human weakness. They have brought many a good innocent girl into sin, shame and scandal, and set her unwary feet on the road that leads to perdition’. The behaviour of the men did not elicit much comment. From the mid-1920s and throughout the early 1930s there were constant references in the newspapers to the problems of dancehalls and motor cars. In 1931 Cardinal McRory combined the two and saw a growing evil in ‘the parking of cars close to dancehalls in badly lighted village streets or on dark country roads. Cars so placed are used … by young people for sitting out in the intervals between dances’. ‘Joy-riding’ had a very different connotation in the period than it does now. Reporting on a sermon by the bishop of Galway, the Irish Independent noted that ‘joy-riding’ was conducted by ‘Evil men – demons in human form come from outside the parish and outside the city – to indulge in this practice. They lure girls from the town to go for motor drives into the country, and you know what happens… it is not for the benefit of the motor drive. It is for something infinitely worse’.
The architect and town planner Frank Gibney (1905-1978) is today recognised as one of the most talented, influential and prolific housing designers of mid-20th c. Ireland.
Responsible for almost six thousand local authority dwellings in every part of the country, his deep concern for human scale and for good living standards delivered homes of a quality which have stood the test of time, while today many of their contemporaries have been altered or demolished.
Principal amongst his many achievements are the six Midland bog villages built in the 1950s for Bord na Mona workers, which were inspired by the aspirations of Patrick Pearse and Eamon de Valera for national self-sufficiency and which have been described by the Yale University Press/Royal Irish Academy volume on Irish architecture as ‘models for rural living’. These beautiful urban set pieces are cherished by their proud present day inhabitants and beg the question as to why contemporary housing policies have not emulated their success.
Gibney’s numerous and extraordinarily ambitious town planning schemes founded on Garden City and Beaux Arts principles, were less successful, being proposed at a time of cultural conservatism and financial stringency. His passion for plans based on aesthetic principles which would preserve the best of towns while creating new and beautiful public areas found little local response. Nonetheless, he was engaged by many Irish towns and cities including Waterford and Drogheda to chart their future and elements of his proposals are still capable of fulfilment today.
Townlands are the smallest official unit of administration in Ireland, followed by the Parish. Our townlands are ancient divisions and some have existed under other names since pre-Christian times.
By the early 1800s, local taxes were based on the valuation of townland units. These valuations were based on hopelessly obsolete information and poor mapping, and it was necessary for the boundaries of townlands to be mapped accurately in order to provide a framework for new valuations. There are 64,642 townlands in the Republic of Ireland, with over 1,000 in Offaly.
The Duke of Wellington authorised a survey of Ireland in 1824 in response to requests from his brother, the Marquess of Wellesley, who was Lord Lieutenant of Ireland at the time. The task was given to Lt Col Thomas Colby and officers and sappers of the Royal Engineers with civil assistants. First established as a military office, all the staff were military employees until the 1970s, when recruiting of civilians started.
It was decided to carry out an experimental triangulation survey in 1824, using Ireland as a test area. When completed the Irish survey would be a model for Great Britain and other areas of the Empire. The aim of the survey was to standardise and anglicise the representation of the Irish landscape. Continue reading →
Hunston is the name of a townland in the west of Offaly, close to where the Brosna and Shannon rivers meet. It is unlike many place names in Ireland which relate to an anglicised geographical description. It originates from a planter family who came to Ireland from England in the 16th century during the first plantation of Ireland.
Following Henry VIII claimed of kingship over all of Ireland in 1541, the English wished to extend their control further than the area called the Pale around Dublin to the whole of Ireland. One way was to drive the Irish landowners off their land and replace them with English or Scottish settlers, called ‘planters’. The first plantation took place in the region now known as Offaly and Laois in 1556. It was from this area that the O’Connor and O’Moore clans had invaded the Pale. The Government divided the land into Counties. Present day Laois was named Queen’s County, after Queen Mary, daughter of Henry VIII and present-day Offaly was named King’s County after Mary’s husband King Philip of Spain. Forts were built at Maryborough (Portlaoise) and Philipstown (Daingean).
The current issue of Irish Historical Studies (no. 165, May 2020) has a featured review of five issues from the Maynooth Local Studies series published in 2019. That brought the number issued to 144. We attach the list to 144 for your convenience and we bring to your attention the latest batch of four. Raymond Gillespie is the quiet man behind the series and who has acted as general editor since its inception in 1995. The reviewer in IHS, Maura Cronin, reminds of his characterising local history as being ‘primarily about people in places over time’. Place is described as the bedrock of local history, but it must be seen in the context of the actions of people and the pivotal role of historical research is looking for the forces of disruption and of cohesion. What brought people together and what drove them apart.
The four new issues of 2020
Four new volumes have been published in the Maynooth Studies in Local History series (general editor Professor Raymond Gillespie). The volumes by Denis Casey, Emma Lyons, Brendan Scott and Jonathan Wright and can be ordered via Offaly History Centre.
For his new travel book on Ireland, Paul Clements has been on a meandering journey along the River Shannon, following in the footsteps of the writer and singer Richard Hayward. His book looks back at Ireland in the 1930s but also considers the present-day Shannon which he believes is now undergoing a renaissance. [
The Ireland of the 1930s was an austere place in which barefoot children played in the street in a young country where the Catholic Church was all-powerful. Electrification of farms and rural houses was still some way off and some areas suffered badly from tuberculosis as well as mass emigration. Life was shaped by the rhythms of the agricultural year and farming was the mainstay of the economy. Despite the poverty, there was another more carefree side to life which respected the arts and cultural history. People gathered at the crossroads for ceilidhs and made the most of what they had. This was the Ireland that fascinated the writer, singer and actor Richard Hayward (1892-1964), who, although born in Lancashire, grew up on the Antrim coast and became a lover of Ireland.
Offaly GAA blessed with some great club history publications: sources for Offaly history and society, no. 7. GAA is very fortunate to have a number of fabulous club history publications at its disposal. Clubs such as Clara, Daingean, Edenderry, Kilcormac/Killoughey, Seir Kieran and Tullamore have produced particularly comprehensive and detailed club histories and their value to members is immense.
I have started research earlier this year on my latest project, a comprehensive, detailed history of Offaly GAA. It is a very big undertaking with a huge volume of research required before you even consider putting pen to paper. It will be a three year plus project and trying to get a picture of all eras and factors in the growth of the GAA in Offaly is quite daunting.
My aim is to do a proper history of Offaly GAA, one that transcends its mere sporting contribution to the county. To a very large degree, the GAA successes from the 1960s through to the 2000s contributed greatly to the well-being of Offaly as a county and provided its own distinct unique identity. Whether you have any interest in sport, GAA doesn’t float your boat or you prefer other sporting codes, the importance and contribution of the national games to Offaly simply can’t be understated.
The verdict of county secretary James P. Kingston on the county council elections of 2 June 1920 was that the election was not just remarkable and memorable but revolutionary. Kingston believed it was even more revolutionary than the 1899 elections that saw only three members of the old grand jury transfer to the new county council. In that election James Perry Goodbody was elected for Clara unopposed and William Adams defeated distiller and grand jury member Bernard Daly to secure the Tullamore seat. Goodbody was a leading Quaker businessman and Adams a large farmer and publican. Adams retired from the council in 1912 and was succeeded at the council by his son P.F. Adams who was married to Rosaleen Egan, a daughter of Henry Egan, chairman of the county council from 1899 to 1910. Goodbody served on the council as chair of the Finance and Proposals Committee from 1900 and was vice-chairman of the council from 1912. Both P.F. Adams and James P. Goodbody sought election to the new council of 1920 in the first post-war elections and both were defeated. Sinn Féin secured 19 of the 21 seats and acceptable Labour men two seats. For Secretary Kingston the election was also a turning point as he was forced out of office within a year, just as his predecessor Thomas Mitchell had been in 1899.