Offaly GAA blessed with some great club history publications: sources for Offaly history and society, no. 7. GAA is very fortunate to have a number of fabulous club history publications at its disposal. Clubs such as Clara, Daingean, Edenderry, Kilcormac/Killoughey, Seir Kieran and Tullamore have produced particularly comprehensive and detailed club histories and their value to members is immense.
I have started research earlier this year on my latest project, a comprehensive, detailed history of Offaly GAA. It is a very big undertaking with a huge volume of research required before you even consider putting pen to paper. It will be a three year plus project and trying to get a picture of all eras and factors in the growth of the GAA in Offaly is quite daunting.
My aim is to do a proper history of Offaly GAA, one that transcends its mere sporting contribution to the county. To a very large degree, the GAA successes from the 1960s through to the 2000s contributed greatly to the well-being of Offaly as a county and provided its own distinct unique identity. Whether you have any interest in sport, GAA doesn’t float your boat or you prefer other sporting codes, the importance and contribution of the national games to Offaly simply can’t be understated.
Everywhere in the world today, the role and validity of public art, particularly statues of historical figures, is under scrutiny. At the same time it is the policy of our new Government to place an increased emphasis on urban quality-which presumes the installation of even more public art. This could be a recipe for conflict but much can be learnt from an examination of the history and experience of the provision of sculpture in County Offaly, and its errors and successes.
The Three Tests
I suggest that three criteria, all of which are of course totally subjective, apply to any reconsideration of the role of public art. The first is the continuing historical acceptability of the person or event which is commemorated. In Offaly, it is beyond doubt that the Manchester Martyrs Memorial in Birr or the War of Independence Memorial at the Courthouse in Tullamore would pass that test. The second is the intrinsic artistic quality of the work and ‘Saints and Scholars’ by Maurice Harron on the Tullamore bypass is generally agreed to be both striking and imaginative. Finally, there is the work’s contribution to a planned urban ensemble and in this respect both the Downshire Memorial in Edenderry and the Barnes-McCormack Memorial in Banagher which close vistas or reflect their settings, would qualify. It gets a lot trickier however when a work satisfies some of the criteria but not all.
For example, in our capital city the statue of Daniel O’Connell, the ‘Liberator’, marks the entrance to the fine boulevard which bears his name and having been designed and executed by the greatest Irish sculptor of his day John Henry Foley, it clearly fulfils all three criteria of artistic worth, civic design contribution and an historically enhanced reputation.
However, further along the same street the statue of Horatio Nelson failed the public acceptability test and along with its beautiful and blameless Doric pillar, was blown up in 1967.
Interestingly, Birr provides a precisely similar scenario. The image of the third Earl of Rosse in John’s Mall is also a fine example of Foley’s skill, and the reputation of ‘The Astronomer Earl’ has grown over the years. The statue, by virtue of its scale and location, is an integral part of a well-designed public space. Thus all three criteria are fulfilled.
In nearby Emmet Square stands the finest urban ensemble in Offaly and the only extant example in Ireland of the use of a central column as a focus for a public plaza. Whatever about the artistic merit of his statue which stood atop its elegant Doric pillar, the brutal reputation of the Duke of Cumberland was anathema to many and the discovery of a crack gave a valid excuse for its removal by Birr Town Council in 1915. Had Dublin Corporation adopted the same approach, the column upon which Nelson stood and which contributed to the scale and architectural character of O’Connell Street, might still be with us but as in Birr, we would probably still be debating a suitable replacement to cap it.
The issue of whether existing public art is still relevant and making a contribution to its locality can sometimes be contentious, but the location and nature of new public art is always pure dynamite, as the persistent vandalism of the Luke Kelly statues in Dublin (whether for aesthetic reasons or not) demonstrates.
Ideally public art requires public consensus and the smaller communities of Offaly who have got together to commission and install works of high artistic quality to celebrate their own local heroes or legends have shown the way in this regard and their approach deserves study and emulation.
Killeigh commemorates its famous local greyhound ‘Mick the Miller’ with a beautiful bronze piece by Elizabeth O’Kane. Cadamstown remembers local boxer Dick McRedmond in a lovely stone bust by Dermot Scully. In Ballycumber the wonderful little ‘Pilgrim’ trudges wearily to Clonmacnoise along the Erry Way in a delightful work by local artists Gerry Dooley and Lorie Quinn.
It is acknowledged by everyone that in Offaly both semi-State and local authorities have been to the forefront in providing good public art. The ambitious installations provided by Bord na Mona in the Lough Boora Discovery Park make it one of the best sculpture parks in Europe and it is the calling card of Offaly Tourism. Through its operation of the Percent for Art scheme, Offaly County Council has provided many imaginative and successful works in every part of the county, most recently Holger Lonze’s ‘Cruinne’ in Geashill and the ‘Marker Stone’ on top of Croghan Hill by Ciaran Byrne.
The elephant in the room however, is that almost all of these are in rural, village or remote locations and therefore their theme and siting is relatively uncontentious. A proposal to install a major piece of sculpture in the centre of any of the principal towns of the county on the other hand would immediately raise the questions of where, who, why, by whom and at what cost and inevitably cause a row. Nonetheless, busy central public spaces, both existing and planned, should now be the first choice locations for new artwork and these issues must be faced and a reasonable public consensus sought.
The county capital, Tullamore town centre has only three significant sculptural works, the two long established War Memorials and the 1999 ‘Pot Stills’ in Market Square by Eileen McDonagh. The recent Street Enhancement Scheme which might have provided the opportunity for the installation of a significant new work, instead inexplicably and without giving public notice, required the removal of the Memorial to the Dead of the Great War from O’Connor Square, despite its designation as a Protected Structure. Following an outcry and Ministerial intervention, it was saved but its generous planted setting vanished and it now stands looking a little lost and unhappily compromised by car parking. A more considered and consultative approach to our urban heritage is urgently required
A Phoenix arises?
The installation of a fine new piece of sculpture to adorn the historic centre of Tullamore is long overdue and the imminence of a new town plan presents the opportunity for its delivery. Hopefully, unlike its predecessor, the new plan will include a coherent vision for the preservation and enhancement of the town’s architectural heritage.
It might also follow the lead of other local authorities and outline the role that urban art would play in making the centre more attractive and even suggest where new sculpture or installations might be placed. The Offaly County Council Public Art Working Group could then initiate a debate as to appropriate subjects. One relatively uncontentious idea that has been around for years and which would certainly stimulate the imagination of a talented artist, would be that of the Phoenix- the symbol of the town.
This is now the time to start the debate on how Tullamore can celebrate its history, remember those who made a contribution to it and furnish its historic centre with new and exciting public art.
Consumed by political and economic turmoil, the first half of the 20th century was a fallow period for the visual arts and archaeological scholarship in Ireland and certainly Offaly was no different. The post-war period dominated by scarcity and emigration, was particularly stifling.
The first glimmerings of change came with the national festival of An Tóstal in 1953. Emulating the very successful Festival of Britain two years earlier, its primary intention was to boost tourism in the Easter off peak period – or as the poet Patrick Kavanagh called it ‘The Monsoon Season’.
Whether or not the festival brought any tourists to Ireland or not is debatable but it certainly had a dynamic cultural impact, particularly outside of Dublin. Local societies emerged to organise exhibitions of arts, crafts and heritage. An awareness of the need for civic improvements led to the Tidy Towns movement. Most importantly, a spirit of optimism and openness was created.
This sense of a new beginning was particularly evident in Tullamore where a small local elite led by individuals with connections to the Dublin art and theatrical world were beginning to promote a more open and less traditional approach.
The verdict of county secretary James P. Kingston on the county council elections of 2 June 1920 was that the election was not just remarkable and memorable but revolutionary. Kingston believed it was even more revolutionary than the 1899 elections that saw only three members of the old grand jury transfer to the new county council. In that election James Perry Goodbody was elected for Clara unopposed and William Adams defeated distiller and grand jury member Bernard Daly to secure the Tullamore seat. Goodbody was a leading Quaker businessman and Adams a large farmer and publican. Adams retired from the council in 1912 and was succeeded at the council by his son P.F. Adams who was married to Rosaleen Egan, a daughter of Henry Egan, chairman of the county council from 1899 to 1910. Goodbody served on the council as chair of the Finance and Proposals Committee from 1900 and was vice-chairman of the council from 1912. Both P.F. Adams and James P. Goodbody sought election to the new council of 1920 in the first post-war elections and both were defeated. Sinn Féin secured 19 of the 21 seats and acceptable Labour men two seats. For Secretary Kingston the election was also a turning point as he was forced out of office within a year, just as his predecessor Thomas Mitchell had been in 1899.
Back in 2014 I was an intern in the Heritage Office in Offaly County Council. I compiled a database of all known post 1700 burial grounds in the county. Compiling the database required thorough desk and field based research. During fieldwork I visited 170 of the 187 burial grounds I recorded. While visiting these places I noted many interesting and unusual features, some of which are the basis for this blog post. The list is of course subjective. There are certainly more interesting and unique features waiting to be discovered in Offaly burial grounds. Continue reading →
The Morpeth testimonial roll comprises a farewell address signed by approximately 250,000 people (according to contemporary sources) on 652 individual sheets of paper. These sheets were subsequently joined together to create a continuous length of paper, approximately 412 meters in length (over three times the length of Croke Park), which was rolled onto a mahogany spool. It was presented to Lord Morpeth at the Royal Exchange, Dublin, in September 1841 following his defeat in the 1841 general election which consequently led to his departure as Chief Secretary of Ireland. For many years the testimonial roll remained hidden away in a basement at Castle Howard, Yorkshire, but it is now on loan at Maynooth University thanks to the generosity of Simon Howard, owner of Castle Howard and the efforts of Professor Christopher Ridgway, Curator and Professor Terence Dooley, Director of the Centre for the Study of Historic Irish Houses & Estates. This unique document has huge research potential, whether looked at as a pre-Famine census substitute, a family heirloom, a genealogy resource or a politically motivated document in its own right. Moreover, it has the potential to provide a unique insight into Irish life, society and politics in pre-Famine Ireland. As a pre-Famine census substitute it is unparalleled and its importance is multiplied by the scarcity of census material from this period. The document also provides empirical evidence of mass political involvement.
Cholera was the epidemic disease most feared around the world in the nineteenth century.A letter from Tullamore of 1832 describes the devestating disease of cholera. ‘We had 165 deaths. All bridges to the town are cut and broken. Every house is shut up and there is no such thing as business. Men who would eat their breakfact in perfect health would be buried before dinner.’
In the eighteenth century neighbouring countries began to suffer from the disease and in the nineteenth century it attacked Europe. Cholera spread around the world in great epidemics from its traditional base in the Indian sub-continent and carried with it high mortality rates, severe suffering and terrifying symptoms. These began in 1817 but the first wave did not reach Europe and was halted temporarily at the shores of the Caspian Sea. From there in 1829 it spread rapidly through Europe. It arrived in Ireland around St Patrick’s Day 1832. This was the most serious cholera outbreak in Ireland in the nineteenth century and it has been estimated that 25,378 people died during that epidemic. The Irish death rate was high when compared to other countries for the same period.
Offaly Archives’ local government collections cover an extensive range of local government organisations – from grand juries, infirmaries, rural district councils, town commissioners, poor law unions, county councils, committees of agriculture and urban district councils. The material from the collections was acquired since the 1950s and covers roughly two hundred years of history.
Recently, the local government collections, as well as a number of donated collections of private origin, have been relocated from Offaly County Library to purpose built archival facilities at Offaly Archives, Unit 1F, Axis Business Park, Clara Road, Tullamore. Offaly Archives is the joint archival repository of Offaly Historical and Archaeological Society (Offaly History) and Offaly County Library, and is administered by Offaly History.
During the summer of 2019, I worked on providing online catalogue descriptions for the local government collections in preparation for their move. Descriptions for the collections were created using Michael Murphy, Anne Coughlan and Gráinne Doran’s 2003 publication Grand Jury to Áras An Chontae, which provides breakdowns of Offaly Archives local government collections, as well as detailed information relating to the formation of Offaly’s local government structures, their various duties, lists of members and historical points of interest.
In October 2014, following an introduction by Amanda Pedlow and Stephen Callaghan, an understanding was reached with the late Stephen McNeill, the then President and Micheal Byrne Secretary of the Offaly and Archaeology Society for them to assist and source interviewees in connection with my project to record persons talking about their memories of life around and about ‘The arrival of the rural’ in Offaly, to date I have recorded over 30 persons in Offaly. Since August 2016,utilising excepts from recordngs, a 45 minute audio/slide presentation which was shown by me to members of History Societies in Edenderry, Tullamore, Rhode, in March 2019 a fourth presentation was shown to members of the Ballinteer Active Retirement Association. A fifth presentation is scheduled for showing in Bury Quay, Tullamore in early 2020.
This Blog seeks to briefly explain aspects of the Rural Electrification Scheme in Ireland and what Michael Shiel in his book called The Quiet Revolution (Dublin 1984) [JPG0292]
The Parker Brothers of Clara and John Martin of Tullamore. One of the Parker boys was killed as was John Martin on 8 October 1918.
There was very little published work relating to Offaly in World War I until recent times. The 1983 essay by Vivienne Clarke was a first and rare examination of the period in Offaly, until Tom Burnell’s Offaly War Dead in 2010, and 2014’s Edenderry in the Great War by Catherine Watson. And so nearly every essay published in Offaly and the Great War which was launched to mark the centenary of the end of the Great War represents new and original historical research and findings, a very exciting prospect in the world of history publishing.The seventeen contributors have submitted essays that cover every aspect of the war and from almost all corners of the county.