Profitless Bog- The impact of energy generation on the landscape of the Midlands. By Fergal MacCabe

‘….The lean road flung over profitless bog,

Where only a snipe could nest…

…..The soft and dreary midlands, with their tame canals,

Wallow between sea and sea, remote from adventure….’

‘Dublin Made Me’      Donagh MacDonagh

Lumcloon

Once a month, my uncle Billy Holohan who was the Assistant County Engineer for West Offaly, would come to Tullamore to report to his superior, the County Engineer Tom Duggan, in the courthouse. 

After the meeting he would sometimes pick me up from my mother’s house in Clonminch and bring me to stay with himself and his wife Nell in Gallen Lodge in Ferbane. The highlight of the journey, for both of us, was an inspection of the progress on the construction of the two cooling towers of Lumcloon Power Station.

We watched as immense rings of slim, angled columns emerged and were tied together by large circular bands to form the base from which the structures would rise. Over the next few years we marvelled at the gradual ascent of the elegantly modulated shapes, first curving inwards and then subtly outwards to form a lip. Billy tried to explain to me the structural engineering concepts behind the design, but as a small boy I could only marvel at the height and sheer scale of the undertaking.

An impression of the proposed mills at Leamanaghan. Very high and very prolific. Our thanks to Kenneth Smyth for this picture.

Leamanaghan Castle

Unusually for an engineer, Billy had a deep interest in history. He brought me along on his site inspections and introduced me to Clonmacnoise and Sier Kieran. His favourite stop on our return journey to Tullamore was Leamanaghan where we roamed amongst the remains of the Monastery. He delighted in showing me the hoof mark inside the gate of the school which marked the passage of St Manchan’s stolen cow and  then brought me over the fields to St Mella’s Kell which I still believe is one of the most romantic spots in Ireland.

Lemanaghan Castle, top left. This was where the Annals of Clonmacnoise was completed. The castle was demolished in the 1950s as was Kilcolgan nearby to provide filler. Courtesy of Offaly Archives

Then in 1959, in an act which was deeply symbolic of Ireland in that peculiar time between economic stagnation and rapid growth, Leamanaghan Castle was bulldozed to provide hardcore for works at Lumcloon Power Station. The Castle, which was derelict but still substantial, had been the ancestral home of the Mac Coghlans. Cardinal Rinuccini had stayed there (or more likely nearby Kilcolgan, also demolished) during his time as Papal Nuncio to the Confederation of Kilkenny and the Annals of Clonmacnoise were translated into English in the house. I was dumbfounded but hadn’t the courage to ask Billy whether it was the ESB or the County Council who were responsible.

Cooling towers of the old economy, so succesful for Offaly from the 1950s to the 2000s in regard to employment.

The Cooling Towers

The cooling towers were completed and over the years, became part of the public perception of the Midland landscape.

Driving westwards you knew you were approaching Kildare and Offaly when the Allenwood towers became visible, then Portarlington and Rhode emerged with Lumcloon in the far distance. Their harmonic shapes complemented Croghan, Endrim and Bellair hills and provided  points of vertical interest in an otherwise soft and dreary plain. The bogs, which had been perceived for centuries as profitless and impassable were now a proud testimony to national energy self-sufficiency and local technological advance.  

However, with the passage of time, what was originally considered a solution, became a problem and peat extraction began to be wound down with grievous personal and economic consequences which are still being felt. The Power Stations were closed, their towers and buildings demolished and their sites converted to other uses. 

Portarlington was the second last to go. At 10.30 on the morning of the 4th of April 1997, the cooling tower that had taken three years to build and stood for forty seven years, vanished in three seconds at the hands of an English demolition expert who already had many redundant cooling towers on his c.v..

Futile last minute efforts to save it were led by the Heritage Council and a local preservation group organised by Progressive Democrat Senator, Cathy Honan.  Architect Gerard Carty of Clonbullogue, now a director of the world famous Grafton Architects, wrote in protest that the Power Station was  ‘A monument to those visionaries who grafted a semi-industrial outlook onto the principally agricultural psyche of the Midlands’.  Their protests crumbled in the face of the ESB’s assertion that  ’ It was built for power generation and that function is over’.

The crowds watching the spectacle of the demolition were serenaded by local accordionist Louis Melia who played his composition ’The Tower I Loved So Well’  during the countdown to the explosion. 

An era had ended and the advent of wind power was at hand.

Wind Turbines

Because of the absence of nearby dwellings but with existing connections to the national grid, the Midland bogs were identified very early on as first choice locations for large scale wind energy generation. But, whatever about their ecological impacts, the visual impacts of turbines can be a lot more substantial than those of cooling towers.

Unlike one or two isolated towers, turbines spread haphazardly over large areas of the landscape. Though man-made, their scale and large array results in their being read as part of the natural landscape itself- which can be visually disturbing. As the blades rotate in different cycles, they can often cause visual irritation, even from very far away. The scale of the turbines can be incongruous and though they are generally no higher than the former cooling towers, there are a lot more of them. All in all, their visual impacts are significant and often unassimilable. But then, maybe the cooling towers were also, but in the 1950s any development was welcome, while today’s affluence allows us to make choices.

But whether it is cooling towers or turbines, the greatest sensitivity should always be shown when their development impinges on historic sites. Leamonaghan paid a price for the construction of Lumcloon and shouldn’t be put in the firing line a second time.

The old world that was partly destroyed in the 1950s.But the shrine at Lemanaghan survived in its original locus. A remarkable survival in its locale. Ballycumber castle was used for filler as was Kilcolgan. So much for heritage in 1920s to 1960s Ireland. Heritage was in a linguistic form only and divorced from real life. So much empty platitudes.

A Flashpoint

With the imminent lodgement by Bord na Mona of its proposal for a 17-turbine wind farm with blade heights of up to 220 m, the bogland island of Leamanaghan with its ancient monastery and graveyard will be in the forefront of the conflict between architectural heritage and power generation. Preliminary images show turbines dominating its surrounding landscape on its northern side.

However, just as in the 1950s, the likelihood is that national energy needs will trump all other considerations- particularly in the light of the recent correspondence from the Office of the Planning Regulator directing the Council to dramatically increase Offaly’s megawatt production.

This should not mean that the vulnerable character of Leamanaghan be disregarded, but that the most careful consideration needs to be given to the interface between it and the future wind farm. As one of the most sensitive locations in Offaly (and also to make restitution for the shameful razing of the Castle) the balance of the argument should favour the protection of its history and beauty.

The windmills of the past or a message of hope. Lemanaghan 120 years ago before the data centres and when most things were in the head of the local person and not in the Cloud. Courtesy of Offaly Archives

A Return to Profitless Bog?

As wind replaces peat extraction, it is not unthinkable that it may in turn be replaced by a less visually obtrusive or ecologically harmful form of energy production.Turbines last for about twenty years before they need replacement and a point may come when this is no longer economical.

In March of this year the United Nations Economic Commission for Europe declared that ‘Nuclear energy can be a critical component of a decarbonised energy system for those member states that choose to consider it as a part of their sustainable development and climate change strategy’. It will be interesting to see how other European countries respond to the technological advances which are now delivering safer nuclear energy.

I wonder if in seventy- or eighty-years’ time, as the last of the turbines come down and the land gently recedes back into its ancient role of profitless bog abounding in nesting snipe, will a small and nostalgic group emerge to campaign for the preservation of the remaining few of these iconic structures?

With thanks to Fergal MacCabe

Fergal MacCabe 

September 2021

Text: Fergal MacCabe

Pics and captions: Offaly History

Saint Manchan’s Shrine – Art and Devotion in 12th Century Ireland

‘A rich and dazzling Celtic bewilderment, a perpetual challenge to the eyes and a perpetual delight.’ T.D. Kendrick (Archaeologia 86, 1936)

Saint Manchan’s shrine is one of the most remarkable survivals from Ireland’s medieval past, having been safely kept and venerated in the same locality since its creation in the early twelfth century. This masterpiece of medieval art is now proudly and reverently displayed in the rural parish church of Boher in County Offaly, not far from its original home at the ancient church site of Lemanaghan. St Manchan’s shrine is a gabled-reliquary, taking the shape of steeply pitched roof or tent, and is fitted with carrying rings, which enabled it to be carried in procession by two bearers using poles. It is not only the largest reliquary surviving from medieval Ireland but is also the only remaining example of its type. It enshrines what are believed to be the bones of its eponymous saint, St Manchan, whose death is recorded in AD 664.

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Frank Gibney: A visionary Irish architect and planner. A new source for some of the finest midlands housing schemes. By Offaly History

The architect and town planner Frank Gibney (1905-1978) is today recognised as one of the most talented, influential and prolific housing designers of mid-20th c. Ireland.

Responsible for almost six thousand local authority dwellings in every part of the country, his deep concern for human scale and for good living standards delivered homes of a quality which have stood the test of time, while today many of their contemporaries have been altered or demolished.

Principal amongst his many achievements are the six Midland bog villages built in the 1950s for Bord na Mona workers, which were inspired by the aspirations of Patrick Pearse and Eamon de Valera for national self-sufficiency and which have been described by the Yale University Press/Royal Irish Academy volume on Irish architecture as ‘models for rural living’. These beautiful urban set pieces are  cherished by their proud present day inhabitants and beg the question as to why contemporary housing policies have not emulated their success.

Gibney designed housing estate at Clarecastle, County Clare

Gibney’s numerous and extraordinarily ambitious town planning schemes founded on Garden City and Beaux Arts principles, were less successful, being proposed at a time of cultural conservatism and financial stringency. His passion for plans based on aesthetic principles which would preserve the best of towns while creating new and beautiful public areas found little local response. Nonetheless, he was engaged by many Irish towns and cities including Waterford and Drogheda to chart their future and elements of his proposals are still capable of fulfilment today. 

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Shackleton’s photographs of Tullamore and west Offaly in the 1890s. Michael Byrne

064928 Shackleton Collection (1)

Jane W. Shackleton’s Ireland compiled by Christiaan Corlett (Cork, 2012) is an attractive large format publication from the growing stable of books issued by Collins Press and consists of 180 well produced photographs by Jane Shackleton. Jane Shackleton (nee Edmundson) was born in 1843 and in 1866 married Joseph Fisher Shackleton of the famous Ballitore, County Kildare family of Quakers. Thirteen Shackletons are included in Richard S. Harrison’s, Dictionary of Irish Quakers (second edition, Dublin, 2008) including Jane’s husband, Joseph Fisher Shackleton. Like his father he was a miller and in 1860 took over the Anna Liffey Mills in Lucan.

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In search of bog memories By Emily Toner, Clara Bog Visitor Centre, Monday 19 August at 2-4 p.m.

 

As a Ferbane student wrote in the School Folklore Collection: “There’s a large amount of bogland in the locality round here.” County Offaly is a place covered in peatlands–more than a third of the county was classified as peat soil by in the National Soil Survey of Ireland published by Teagasc in 2003. Offaly is also the county with the highest proportion of homes using those bogs for turf. At 37.9% of households heated with turf according to 2016 Central Statistics Office data, Offaly outcompetes the next county highest county, Roscommon, where 26.6% of households have the turf fire burning. The prevalence of bogs and bog-connected people is what brought me to live in Tullamore for a year.

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Memories of brick-making in Pullough, by Marie Regazzoli

As part of Heritage Week on the 27th August 2017 our local Heritage Group, who came together just a couple of years ago, gave a brief history of Pullough brick-making. Around eighty people some of them the fourth generation of the same family, returned for the talk and met old acquaintances. It was a great day.

I was born and reared right beside where my grandfather, James Buckley, owned a brickyard. I live in the house next to the brickyard and all the chimneys and some of the walls were constructed with Pullough brick.  I would have heard my mother, Bridget McLoughlin, talk about the making of the bricks, and the hard work it entailed. When she was just eight years old the woman in question and her nine other brothers and sisters all worked alongside their father in the making of the bricks. Continue reading